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single The Old Ramblers

this week we released the first single on Bone Union Records.

BR 1101 – The Old Ramblers – Bourgeouis Blues

The single is an appetizer from the upcoming album of The Old Ramblers. The album will be titled “Find Me On The Road Somewhere” and is scheduled for release early September 2020.

Located in Izmir, Turkey; since 2016, The Old Ramblers cover pre-war rural blues classics, and post-war urban blues standarts besides gospels, spirituals, work songs, edgy ragtime and bluegrass tunes with a bravado.

The musicians are:
Sarp Keskiner: Vocal, electric guitars, bass, maracas
Orhun Keskinbıçak: Harmonica
Türker Özer: Acoustic guitar

The track is released digital and available on all the download and streaming platforms.

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SomethingElse reviews ElectroBluesSociety feat Boo Boo Davis

A couple of months ago I told y’all about this EP that vintage bluesman Boo Boo Davis put out with ElectroBluesSociety sensibly titled Chicago Blues Covers. This makeshift trio (Davis, guitarist Jan Mittendorp and drummer Jasper Mortier) made a mess of covers of electric blues standards charged by the retro-modern studio finagling of the ElectroBluesSociety and the sheer aura of one Boo Boo Davis. And they laid down the tracks for these songs all in one afternoon in 2018. Now we learn that their label KuvVer Records has dropped another track from apparently that same session, Howlin’ Wolf’s “Killing Floor.” Boo Boo’s rendition carries the same machismo as Wolf’s but aside from that, it sounds almost like a wholly different song. If anything, the analog-y, reverb-drenched sonics of this two year-old recording sounds even more ancient than the fifty-six year-old original and Mortier keeps the song lively with a booming backbeat. Davis voice echoes from the bottom his soul but his blues harp shouts louder and authoritatively. Even if you’ve heard this song a thousand times before, your experience with it isn’t complete without hearing ElectroBluesSociety and Boo Boo Davis tackle it. They give old blues back its youthful vitality because they know how to make it brash and raw.

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new sub label

We started a new collaboration. Together with Sarp Keskiner from Izmir (Turkey) we founded BONE UNION RECORDS in June 2020. In order to create a ground for mutual cultural exchange, this new label aims to document a neglected musical scene in Turkey not just by releasing archival material from mid-90’s to this date; but also keen on releasing brand new material from Turkish artists. Though the scope mainly consist rare recordings of local traditional blues, urban blues and gospel acts, the material varies wildly by inclusion of folk, funk, dub, noise and experimental releases, that goes way beyond the borders of conventional blues. Thus, the label supports any musical efforts to improve the chances of exchange of blues and neighboring genres between Netherlands and Turkey.

The first two releases will be on Sarp’s own band The Old Ramblers. This week we start of with a single from the upcoming album.

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new single ElectroBluesSociety feat Boo Boo Davis

today we released a new single on KuvVer Records, one of our sub labels.

In 2018 ElectroBluesSociety did a recording session with Mississippi blues man Boo Boo Davis. During one of the European tours of Boo Boo they went in the studio and in 3 hours they recorded 8 songs. Together they went back to the classic Chicago blues and afterwards added a little electro blues. Here is another Howlin Wolf cover from that session. This track is released digital only and available on all the download and streaming platforms.

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review from Croatia

Činjenica je da sa starim, provjerenim bluesmanom teško možete “fulati”. Nizozemski duo ElectroBluesSociety feat. Boo Boo Davis EP-jem “Chicago Blues Covers” objavljenim 31. svibnja preko izdavačke kuće KuvVer Records zapravo ne bježe od svoje životne i glazbene priče. Drugo je pitanje koliko su u svemu tome uspjeli…


EP “Chicago Blues Covers” je zapravo okupljena kolekcija singlova koji su nastali tijekom 2018. i 2019. za europske turneje Boo Boo Davisa. Naime, eksperimentalni elektro blues duo ElectroBluesSociety ušli su u studio i nakon tri sata svirke dobili smo sedam skladbi koje su objavljivane kao singlovi a sada su svi izdani kao ovaj EP. Chicago blues spajan s elektro bluesom a sve kroz poznate blues standarde dali su više–manje uspješne rezultate. Što to znači? U nekim odabranim pjesmama ovaj spoj je bio uspješan i nadahnut, u drugim je ostao pomalo sterilan i nedorečen. A sve ovisi opet na koji način se doživljava i reaktivira cijela ova glazbena priča.
Chicago blues klasici Howlina’ Wolfa i Elmorea Jamesa teško da mogu “fulati”, mogu samo biti, da to tako napišem, sterilni i pomalo nedorečeni u glazbeno-prezentacijskoj formi. Pred nama je zapravo nastojanje da se uglazbi staro i novo, tradicionalno i moderno i da onda sve to ostavi upečatljivi dojam kod slušatelja. Moram priznati da je taj glazbeni projekt ostavio uglavnom dobar dojam na mene osobno, što ne znači da će svi to doživjeti na taj način.


Davis je rođen i odrastao u gradiću Drew, u srcu Delte. Znamo da je cijelo to područje bogato pamukom, koji je zahtjevao puno radne snage, među baš tim radnicima, bilo je dosta sjajnih glazbenika, koji su obilježili blues kao glazbeni stil. Primjerice, Charley Patton samo je jedan od njih. Ljudi su trebali da ih netko odmakne od teškog rada, od sunca, znoja, i da im u smiraj dana ponudi nešto što će ih oraspoložiti i dati im snage za novi radni dan. To je zapravo bila glavna zadaća glazbenika koji su izvodili blues, boogie, R&B i sve ono što ima dodirnih točaka s ovim glazbenim pravcima. Od najranijeg djetinjstva Boo Boo okružen je glazbom, crkvenim pjevanjem, a njegov otac Sylvester Davis, osim što je bio nadničar, svirao je s imenima kao što su John Lee Hooker, Elmore James i Roberta Pete Williams. Nije čudno što Davis Jr. pamti kako su svi oni vježbali u njihovoj kući i to je zapravo urezalo itekekve duboke i neraskidive veze i brazde u njegovom biću.


S nepunih osamnaest već je nastupao s ocem i starijom braćom. Sve to značilo je biti non-stop “on the road” po cijeloj Delti. U ranim šezdesetim Boo Boo i njegova braća odlaze na sjever, u St. Louis, gdje su nastupali uz velikane glazbene scene St Louisa (Albert King, Ike Turner, Chuck Berry i drugi).


The Davis Brothers Blues Band svaki vikend bio je kućni bend u Tabby’s Red Room u istočnom St. Louisu punih osamnaest godina. Činjenica je da ga život nije mazio, to je 100% točno jer Davis nije naučio čitati ni pisati, jednostavno nije bilo vremena ili novaca za njegovo školovanje, no pronašao je načina da opstane u modernom svijetu. Da se ne osjeća manje vrijednim, dapače, Boo Boo Davis stekao je reputaciju izvrsnog blues glazbenika, kome taj i takav blues pomaže da zadrži svoj duhovni mir i život na razini dostojne čovjeka. Jer treba preživjeti svaki novi dan i to je zapravo taj život. Iz njega Davis čupa elemente za svakodnevni opstanak i o tome on pjeva. Život donosi i dobro i loše, on je običan i jednostavan i stvaran je.


Ušavši u studio Davis samo krene i pjesme izlaze jedna za drugom. Na ovom tonskom zapisu uz Boo Boo Davisa na vokalu i usnjaku uz eksperimentalni elektro blues duo, koji su snimili ovih sedam skladbi onako u uživo, bez puno mudrovanja, kako su nekada to radili i snimali legendarni blues glaznenici. Baš zato sve ovo što čujete zvuči tako stvarno i životno Davis i ElectroBluesSociety odradili su doista dobar posao. A sve ostalo ovisi o ukusima slušatelja i poklonika bluesa.

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review ElectroBluesSociety from the UK

ElectroBluesSociety Featuring Michel Peters—Hoochie Coochie Man—

Here is another single track from this Dutch outfit, with a local singer turning in a version of the Muddy Waters classic. Some of these issues on Black & Tan subsidiary label KuvVer Records have kept reasonably close to the originals – this one doesn’t. The throbbing, up tempo backing is largely electronic, though with pounding drums and some excellent blues guitar, whilst Michel’s singing is fine. The whole thing does actually work well, so, if you have a youngster who feels that the blues is old hat, try to get them to give this a listen – you never know…

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review for ElectroBluesSociety feat Boo Boo Davis from France

Duo blues expérimental néerlandais composé de Jasper Mortier à la basse et à la batterie et de Jan Mittendorp aux guitares et aux effets, ElectroBluesSociety bouscule les conventions du blues depuis déjà quelques belles années et inonde régulièrement le marché de ses diverses productions dans lesquelles le blues des aînés est souvent revu et corrigé à la sauce actuelle, avec une pointe d’electro mais sans jamais s’éloigner d’un pouce des valeurs d’origines des morceaux. Alors que les deux musiciens accompagnaient le chanteur et harmoniciste Boo Boo Davis sur une tournée européenne en 2018, l’idée leur vint subitement de se rendre en studio avec l’artiste originaire de Drew, dans le Mississippi, et de mettre en boite à ses côtés et en l’espace de trois heures quelques classiques du blues, et non des moindres. Le résultat est sans appel, avec pas moins de sept titres qui ont déjà été proposés en single en 2018 et 2019 mais qui prennent aujourd’hui la forme d’un EP que l’on peut télécharger sur toutes les bonnes plateformes. De Howlin’ Wolf à Willie Dixon en passant par Elmore James et Robert Johnson, ElectroBluesSociety et Boo Boo Davis vont nous proposer de véritables pépites de blues baignées de guitares bien juteuses, d’harmonicas gouleyants à souhait et de voix rugueuses, des trésors en douze mesures qui nous entrainent du Delta jusqu’à Chicago avec des classiques parmi les classiques revisités et subtilement agrémentés d’un pointe de modernisme qui ne nuit en rien, loin de là, à la très haute valeur intrinsèque des « Smokestack Lightnin », « Tell Me », « Evil », « How Many More Years », « Dust My Broom », « Little Red Rooster » et autres « Back Door Man » qui glissent dans la platine avec une finesse impressionnante. Si la démarche peut paraître osée sur le papier, force est de constater que le résultat est d’un excellent niveau et que le jeu en vaut vraiment la chandelle. A écouter de toute urgence !

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another review David Philips on New Folk Sounds

David Philips bekijkt de boel van de positieve kant met zijn nieuwe compositie over de corona crisis. In Bliss (a quarantaine song) bezingt hij de milieu effecten van de pandemie op zijn woonomgeving. Gedurende de quarantaine veranderde Barcelona – de thuishaven van David Philips – van een vervuilde, stinkende en lawaaierige stad in een rustige, vriendelijke en schone stad voor wat betreft de luchtkwaliteit. Het is natuurlijk bijna onmogelijk dat dit zo blijft, maar in een lied kun je je eigen draai aan de werkelijkheid geven.

Op de drumtrack na – die werd geleend van een nooit uitgebrachte demo uit 2017 – werd het lied opgenomen op de zolderkamer van David in Barcelona, waar hij de afgelopen maanden werkte aan nieuw materiaal, zoals op muziekgebied als op het tekenvlak.

Het nummer Bliss (a quarantaine song) is te downloaden via de bekende platforms.