Posted on

UK review for The Old Ramblers

Now it’s not every day that you find a Turkish band using their skills to reimagine old blues songs from the likes of LeadBelly, JB Lenoir, and even older…yet here we have just that. Called The Old Ramblers, this three-piece has put together some lesser-known but wonderful early blues and put their modern twist on them without taking away the rawness and elemental feel of the originals. Electric guitars are employed occasionally but this is the only nod to the modern sounds as there are no drums: the percussion comes from the bass and acoustic body…plus the judicious use of maracas! So, you’re invited on a journey to times gone by and you may just Find Me On The Road Sometime.

Opening track, Bourgeoise Blues, is interestingly shown as a co-write with Alan Lomax on the sleeve notes; Lomax was responsible for the Library of Congress recordings and his work discovered, preserved and brought to wider attention the vitality and importance of the field songs and early bluesmen of the American (mainly) Southern states. I know the song via the country blues mastery of the other name…Huddy Ledbetter or LeadBelly as he was better known. Huddy actually appears three times which shows how important his work was…and not just for writing Gallis Pole which some band or other turned into Gallows Pole. Anyway, the country/bluegrass feel is there; harp, acoustic, bass and maracas doing a good washboard impression. The electric solo is subtle and works well as does the harp solo…by the way the pronunciation of ‘bourgeoise’ is accurate from the original.

Diddie Wah Diddie is the Arthur Blake song but known by the more recognisable moniker of Blind Blake. This one again is pretty faithful and wholly recognisable and either the harp is overdubbed or Orhun has a very adaptable mouth! Good Morning Little School Girl is listed as by A.Miller…I think this refers to the real name of Sonny Boy Williamson II, whereas I thought (and a search of my blues CDs seems to confirm) it was Sonny Boy Williamson I (or John Lee Curtis Williamson to use his given name) who wrote it…not important; it is a brilliant song with so many versions out there (Paul Rodgers gets my vote) that its origin is not relevant here. The Old Ramblers do a good job keeping the more countrified origins and the bass line is the star on this one, although the electric solo is neat too. This sounds most like the Big Joe Williams version which is a good thing.

My Fat Gal, written by Merle Travis, probably would be up against the PC police today but, it’s written tongue in cheek and the band leave out the most ‘offensive’ verses from the original. True to its country and western origins the band keep it light and lilting; the acoustic solo is a highlight and sound nearly banjo but in a good way. Saturday Blues by Ishman Bracey is one of those 20s bluesmen who left a brief but significant mark on early recordings…I know of only sixteen, all in the delta crossed country blues style, and this is one of his better ones as it is more delta and the skills on show by Türker make this a favourite.

Shame Shame is a more recent (1963) song from Jimmy Reed and the train track rhythm is always a good ‘un. The slide guitar is well placed and thought out and the bass solo is something rare and welcome. Slowdown by the great JB Lenoir isn’t quite his masterpiece (I’d choose Voodoo Blues for that) but it is a fine country blues that typified JB. Another well played and honest interpretation. Take This Hammer was a ‘traditional’ prison song that LeadBelly took and made his own in such a delightful way…the lyrics may be familiar to Joey B fans even if you haven’t heard this song. Such a good song by almost anyone (Spencer Davis Group is one of the better) and hugely enjoyable here. Travelling Railroad Man provided the basis for many songs that followed and its nice to hear the original, original done so sympathetically.

Imagine if Socrates Drank The Conium ever did acoustic blues…it would sound like this. Viola Lee (usually appended with ‘Blues’) was written by Noah Lewis for his own Jug Band but released by the better know Cannon Jug Stompers…whatever, here they don’t blow across the mouth of moonshine jugs, just a faithful and pleasing rendition. Ry Cooder did a great version too.

For the final track, we’re back with Huddie as his version of a traditional ploughing song, Whoa Back Buck, and this version conjures up the precise mood for which this was written…pure pre-war celebratory song give due deference. This album is full of curiosities as a Turkish trio takes on the early blues: sure English isn’t Sarp’s primary language but even the great LeadBelly was often difficult to decipher and these guys should be applauded for their bringing this early country blues to wider attention.

There may not be any earth-shatteringly different but they do bring sharpness and naivety to the raw originals. Do seek out the Lomax field recordings…they’re eye-opening and educational as well as huge fun for any blues fan and, The Old Ramblers have been kind enough to list their catalogue numbers on the sleeve notes (in case you were wondering what those codes meant).

Bluesdoodles rating: an album that is intriguing and welcoming and is a Great Listening addition to any true blues collection.

Posted on

David Philips CD’s / special offer

This is the moment for David Philips fans to get their missing items. We can offer you the titles on the list below. The more CD’s you order the better the deal as you can see at the price list.

Releases:

B&T 037David Philips – The Rooftop Recordings
B&T 038David Philips – December Wine (4 track tapes)
B&T 041David Philips – If I Had Wings
B&T 043David Philips – The Rooftop Recordings #2
B&T 044David Philips – Get Along
SAM 803The Rooftop Recordings 2 (promo copy)
SAM 804Get Along (promo copy)

The promo copy’s have the same music but are packed in a paper sleeve instead of the digipack from the official release. In that case you miss most of the beautiful bird drawings.

Send me us mail with the requested CD’s and your postal address. We will then send you a PayPal payment request. Even without a PayPal account you can still pay through PayPal using your credit card. If you also don’t have a credit card you can pay via bank wire (EU only). In that case we will send you our bank account information. As soon as the money arrives we will put the CD’s in the mail.

Prices:

1 CD€ 6,00
2 CD€ 11,00
3 CD€ 15,00
4 CD€ 19,00
promo copy€ 2,00

shipping costs:

NetherlandsEuropeoutside Europe
1 – 3 CD’s€ 4,50€ 7,50€ 7,50
4 and more€ 7,50€ 12,00€ 23,00
Posted on

Black and Tan stock clearance

Since regular sales of CD’s have almost disappeared it is time to clear our stock. This is the moment for CD collectors to get your missing items from the Black and Tan catalogue. We can offer you the following titles. The more CD’s you order the better the deal as you can see at the price list below.

Cat #ArtistTitle
CD B&T 001Roscoe ChenierRoscoe Style
CD B&T 002Percy StrotherHome At Last
CD B&T 003Big George Jackson Blues BandBeggin’ Ain’t For Me
CD B&T 004Dave MacKenzieOld, New, Borrowed & Blue
CD B&T 006Erskine OglesbyBlues Dancin’
CD B&T 010Erskine OglesbyHonkin’ & Shoutin’
CD B&T 011Sunset TravelersFor The Sake Of It
CD B&T 019Ernie PayneCoercion Street
CD B&T 023Billy Jonestha’ Bluez
CD B&T 025Harrison KennedyVOICE + STORY
CD B&T 027Roscoe ChenierWaiting For My Tomorrow
CD B&T 028Turnip GreensCarry Me Down The Aisle
CD B&T 030Billy Jonesmy Hometown
CD B&T 031VAKeeping Living Music Alive vol. 2
CD B&T 036miXendorpblues + beat
CD B&T 039Tangled EyeDream Wall  
qtytotal price (shipping included)
1 CD€ 7,00
2 CD€ 12,50
3 CD€ 16,00
4 CD€ 19,00
5 CD€ 22,00
6 CD€ 24,00
7 CD€ 27,00
9 CD€ 29,00
10 CD€ 30,00

Send me us mail with the requested CD’s and your postal address. We will then send you a PayPal payment request. As soon as the money arrives we will put the CD’s in the mail.

Posted on

new single Bone Union Records

Today we released a new single on Bone Union Records.

BUR 1103 – Sarp Keskiner & Kemal Begtas – Nobody Has No Time (to Listen to Music Completely)

Coming from overtly eclectic backgrounds by means of musical tastes and practices, “Nobody Has No Time (to Listen to Music Completely)” is a singular collaboration effort of two veterans of Smyrnian music scene. Recorded in 2017 and only broadcasted on Vimeo briefly before, the unreleased track suggests a unique blend, based on old school Mancunian beats resembling early 90’s, with a pinch of Mediterranean salt and a spoonful of gravy. This track shall be called and treated as a strict imposer of “Izmir sound”.

Kemal Begtaş: Irish bouzouki, bass, beats
Sarp Keskiner: electric rhythm and slide guitars

Recorded, arranged, edited and mixed by Kemal Begtas (Izmir, Turkey – 2017)

The single is released digital and available on all the download and streaming platforms. Here are the links to a few popular ones:

Bone Union Records was founded in June 2020 by Sarp Keskiner (TR) and Jan Mittendorp (NL) in order to create a ground for mutual cultural exchange. The label aims to document a neglected musical scene in Turkey not just by releasing archival material from mid-90’s to this date; but also keen on releasing brand new material from Turkish artists. Though the scope mainly consist rare recordings of local traditional blues, urban blues and gospel acts, the material varies wildly by inclusion of folk, funk, dub, noise and experimental releases, that goes way beyond the borders of conventional blues. Thus, the label supports any musical efforts to improve the chances of exchange of blues and neighboring genres between Netherlands and Turkey.

Posted on

new EP ElectroBluesSociety

after a few singles releases in July and August we now release the full new EP by ElectroBluesSociety on Instrumental Blues Records.

IB 718 – ElectroBluesSociety – Riffs & Blues EP

After exploring possibilities with loops and samples the guys from ElectroBluesSociety go back to basic on this one. Just two instruments (drums and guitar), recorded in one take; simple, loud and raw.

The EP is available on all digital platforms and here you can have a listen:

Posted on

Boo Boo Davis track on new French compilation

Let Me Love You by Boo Boo Davis was included in a brand new French compilation; FIP Blues.

Boo Boo is in good company on this new release; it features songs by a.o. Taj Mahal, Slim Harpo, Howlin Wolf, Willie Dixon, Eric Bibb, Larry Garner and many other great artists.

The release is also available on vinyl format.

Boo Boo’s song was first released by us in 2006 on the album Drew, Mississippi (B&T 029). On this album Boo Boo Davis collaborated with Ramon Goose (UK).

Posted on

Album The Old Ramblers out on Bone Union Records

after the first single, a few weeks ago, we now release the full album from The Old Ramblers on Bone Union Records.

BUR 1102 – The Old Ramblers – Find Me On The Road Somewhere

Located in Izmir, Turkey; since 2016, The Old Ramblers cover pre-war rural blues classics, and post-war urban blues standarts besides gospels, spirituals, work songs, edgy ragtime and bluegrass tunes with a bravado.

The album is available on all the download and streaming platforms.

The musicians are

Sarp Keskiner: Vocal, electric guitars, bass, maracas

Orhun Keskinbıçak: Harmonica

Türker Özer: Acoustic guitar

Posted on

review ElectroBluesSociety feat Boo Boo Davis in Blues & Rhythm (UK)

ElectroBluesSociety are an ‘experimental electro blues’ duo from The Netherlands, comprising Black & Tan label boss Jan Mittendorp on guitar and various electronics, and bass player/drummer Jasper Mortier. The label has worked frequently with Drew, Mississippi-born bluesman James ‘Boo Boo’ Davis since releasing his debut album in 1999, and during a European tour in 2018, Boo Boo, now in his seventies, Jan and Jasper laid down seven songs during three hours in the studio. They went back to basics for these performances and added the electronics afterwards. The tracks were originally released as singles (ie.digital releases of single tracks) during 2018 and 2019, and were generally well-received; this new release, styled as an ‘EP’, gathers them together. As the label name reveals, these tracks are cover versions, of course, from Howlin’ Wolf – Boo Boo would frequently perform his songs with his brothers in Saint Louis in the ’60s – and Elmore James, who was a friend of his father’s. Oh, and don’t worry about those ‘electronic additions’ – they may sound a little peculiar on the intro to ‘Back Door Man’, and that track is perhaps the most experimental here, but they are not really that obtrusive overall, and might help with attracting younger audiences. Boo Boo’s rural-sounding, Wolf-ish vocals and raw, wailing harmonica work are good enough to make up for it throughout anyhow. A little surprisingly, ‘Tell Me’ is an unexpected personal favourite, a very, very fine performance with a wonderful vocal.This is a digital only release from Black & Tan subsidiary KuvVer and it is available on all the usual download and streaming platforms. Boo Boo’s scheduled European tour was cancelled due to the COVID-19 outbreak, a serious loss of income for him – buythis and support a genuine bluesman.