Having celebrated its 30th anniversary of its foundation in 2024; now this time MOE JOE, saluted and praised as “the ever first traditional electric blues band founded in Turkey” brings a raunchy approach to its interpretation to urban blues.
Recorded live in 2008; this unreleased original composition of the band stands out as a concrete example of its quest to urbanize their sound, though this recording also stands as a sample of their keen precision on conserving their trad essentials.
Released digital only and available on all download and streaming platforms.
Smyrnian duo made of Kemal Begtaş and Sarp Keskiner present a fierce breakbeat boogie this time where they bring an “inter-desert” approach to their sonic alliance by presenting a spiraling theme featuring razor sharp riffs spiced with a vibrant Levantine touch.
Expected as usual, cowbells are rattling and bones are shaking on Leo Malandro’s rework of the track; where he takes a sample from an obscure composition of Sarp Keskiner, which he composed for a radio drama piece in 2000 that presents vicious cries of Korhan Futaci (Istanbul) on sax.
The music is released digital and available on all the download and streaming platforms
Jeff Shucard: “In the year 2000, I arrived in Istanbul with the intention of teaching English at a language school in the Kadıköy district. I was recovering from a life threatening illness that prevented me from touring with British band leader – legendary trombonist Chris Barber. Though I had a guitar with me, I knew absolutely nothing about the Istanbul music scene and due to my health issues, I was not interested in performing at all.
Then, one day in a local music store I met a university student who played electric guitar named Berk Sirman; who befriended me and took it upon himself to book me into a few clubs. One of those clubs was called Shaft and it was there that I met Sarp Keskiner, who enthusiastically welcomed me into the vibrant blues scene in which his band Moe Joe performed.
Sarp, as I discovered, was an avid student of blues history as well as a fine musician and producer. His ideas were far reaching and yet always in the pocket of the various genres of music he performed. Perhaps he alone in Turkey knew the music of Charley Patton, John Hurt and my favorite, Blind Blake. And so it happened that due to Sarp’s generosity of spirit and interest in acoustic country blues that we began working together.
Listening now to these tracks recorded 15 years ago, I’m taken by the raw energy we collectively produced. Back then, many clubs that we performed at with a busy schedule had little in the way of sound equipment. As I clearly remember, around the mid-2000’s there were even some nights where we spent more time doing the sound check than playing. Although draining, some of the accumulated energy of the band; the primitive but vital energy of the venues suited us fine as somehow we ended up sounding like early Chess recordings at the end of the day! Thus, I often felt as though we were musical astronauts playing a style of music no one Turkey had ever heard before.
Here, Sarp continues the narrative: “Once the Turkish core of SPL line-up was set; with the support of my never ending energy on finding a new venue to play our music and following an eclectic approach to build up circular line-ups as booking who is available to gig with the band from the local scene; Sweet Papa Lowdown succeeded
to tour in Turkey not for once but for three times as in 2000, 2004, 2006 while regularly holding gigs in the most respected clubs in Istanbul. Eylul (September) Music Club was one of the hot spots of the then lively blues scene, as all along the decade of 2000; each club in Istanbul had their own audience with specific musical tastes.”
“Going back to the subject of circular but irregular touring schedule of SPL, the band found many chances to visit cities namely as Izmir, Izmit, Adana, Mersin, Antakya, Ankara, Mugla and Antalya while the line-ups that are mostly comprised of multi-instrumentalist national blues celebrities were also and intentionally enhanced by addition of well-respected names from Canada / USA such as Doug Rhodes, Rick Van Krugel, Blaine Dunaway, Dan Smith, Dan Marcus and Kris Bowerman. Regarding a vast audio archive that feature those aforementioned names that brought their own stance of blues to the band, SPL found a chance to create a unique mélange of blues, ragtime and gospel music in a swinging period of six years while establishing a common ground that gave the opportunity of a mutual exchange between local and international blues experts.”
Thus, this audio-doc is launched as just starting point and I hope other live albums of SPL shall create a series. Looking back on it; those were good days… My respect for the music that is produced by various line-ups of the band in Istanbul continued to grow in the next decades and now, I feel grateful to have been a part of that scene. (Jeff Shucard, Figueira da Foz, Portugal, 2024)
A török Sarp Keskiner és a holland Jan Mittendorp által 2020 júniusában alapított Bone Union Records célja, hogy egy elhanyagolt törökországi zenei szcénát dokumentáljon a kilencvenes évek óta keletkezett archív felvételek, valamint a török zenészek vadonatúj anyagainak kiadásával. A lemezkiadó Turkish Back Porch Scene című sorozata a Törökországban eddig megörökített legautentikusabb blues-előadásokat tartalmazza. A kizárólag digitálisan megjelenő sorozat első részében Sarp Keskiner, a Moe Joe, Bora Celiker, a The Old Ramblers, a Buca Blues Trio, továbbá Türker Ozer és Orhun Keskinbicak duójának egy-egy 1997 és 2023 között rögzített dala hallható.
Various Artists ‘Turkish Back Porch Scene EP: Vol. 1’
Hovering Delta slide, bluegrass and heat melting dirt music from the imagined back porches of various (of all places) venues in Turkey, by a clutch of blues-imbibed players, the inaugural EP from the Bone Union label is authentically rich with the genre’s history and legacy, and yet freshly inviting and worth the entrance fee. A mix of standards (Sarp Keskiner’s faithful version of Mississippi Fred McDowell’s quivered sliding ‘Big Stars Falling’) and originals (Bora Çeliker’s ambled old-timer wistful ‘Pine Hill Blues’), each performance is as close as you can get to its source: homage but also the act of passing down to a new generation some of the most authentic of roots sounds. The geography and destination will of course surprise many; a different angle for sure, and reminder that the Blues is universal: think a Turkish Sun Records meets Alan Lomax.
Though enjoying a well-respected position in blues mythology; back porches are pack porches everywhere on earth at the end of the day, as those semi-public spaces always host the most sincere, intimate musical gatherings reflecting the essence of solidarity of local clusters whilst exposing many grass-roots hints on what was or is happening on the local scenes. Other than being assertive on the authenticity of locations in order to advocate the organic essence of the performances; “Turkish Back Porch Scene” series of Bone Union Records aim at presenting an never-unheard-before collection as featuring a modest sum of musical gatherings whilst promoting the most authentic blues performances recorded in Turkey up to this date.
Go grab a bottle of “arak” and a smoked drumstick to enjoy this grass-roots compilation. Further volumes are about to arrive.
The music is available on all download and streaming platforms.
A Moe Joe nevű formációt, amelyet „a valaha volt első törökországi elektromos blueszenekarnak” neveznek, Feramerz Ayadi és Vefa Karatay 1994 augusztusában alapította. Az együttes induláskor a háború utáni Chicago blues klasszikusokra helyezte a hangsúlyt, így idővel Törökország különböző városaiban a fellépéseiknek otthont adó helyszínek a helyi purista közönség menedékévé váltak. 1996-ban Sarp Keskiner (ének, gitár és szájharmonika) és Ilhan Babaoglu (alt- és szopránszaxofon) csatlakozott a zenekarhoz, mindketten addig a fenomenális Istanbul Blues Company jól ismert tagjai voltak. Keskiner érkezésével a Moe Joe repertoárjában a saját szerzeményeik kerültek túlsúlyba. 1998-ban az együttes zenei teljesítménye csúcsára ért a szájharmonika-virtuóz, fuvolaművész Tugrul Aray csatlakozásával. 1996-ban és 1997-ben az Efes Pilsen Blues Fesztiválon lehetőségük nyílt arra, hogy olyan legendákkal osszák meg a színpadot, mint Guitar Shorty, Eddie Kirkland és Nappy Brown. Miután 2000-ben kiadásra került debütáló albumuk, a Chicago Istanbul Mainline, számos magazinban, weboldalon, rádióban és tévécsatornán adtak interjút és vendégszerepeltek. 2001-től karibi, brazil és kubai ritmusok jelentek meg zenéjükben, majd rövid ideig free jazz zenészekkel dolgoztak együtt. Októberben Live in 2002 & 2009 címmel tizenegy számot tartalmazó lemezük jelent meg, mely Isztambulban, Ankarában és Izmirben rögzített koncertfelvételeiket tartalmazza. A csakis digitálisan kiadott anyag egy veterán török blueszenekar sokszínűségét mutatja be.
MoeJoe, now respectively known as “the ever first electric blues band in Turkey” was founded by Feramerz Ayadi, İzi Ergil and Vefa Karatay in 1994, in Istanbul. Instead of other contemporary blues rock bands which were keen to cover the scholastic repertoire of 60’s and 70’s alumnis, Moe Joe chose a different path to follow by putting an emphasize on covering the milestones of post-war Chicago blues repertoire thus, choosing to struggle hard on the club scene for finding a venue in late 90’s. Hence, in time, the venues hosting the performances of the band in various cities in Turkey became a shelter for local purist audiences.
In 1996, Sarp Keskiner (vocal, guitar, harmonica) and İlhan Babaoğlu (alto and soprano saxophone) joined the band; both were until then well – known members of phenomenal Istanbul Blues Company. Under guidance of Keskiner and Ayadi, Moe Joe centered upon Chicago Southside & Westside standards, spicy Detroit style boogies, early Texas shuffles and dark Louisiana grooves.
Between 1998 and 2001, the band set the heights for the musical quality of this genre on the national scene by adding harmonica virtuoso – flautist Tuğrul Aray to its line-up and back from NYC, enter Ergin Özler to take over the drum stool aiming at to bring the swinging authenticity to the sextet.
After releasing the “all originals” debut album, “Chicago Istanbul Mainline” in 2000, Moe Joe received rave reviews from national and international music media; having been interviewed and guested on various magazines, web sites, radio and TV channels.
From 2001 Caribbean, Brazilian and Afro – Cuban beats into their well-established sound, while stabilizing the line up as a quintet; with addition of Özün Usta (conga, djembe, cajon). Within this context, live recordings compiled in this album which were recorded in Istanbul, Ankara and Izmir direct to DAT tapes feature the diversity of a veteran Turkish blues band, which is set to celebrate its 30th anniversary of foundation in 2024.
The music is released digital and available on all the download and streaming platforms.
At last, here we are to represent Begtas’ official debut EP that emphasize his interest in Native American culture while he kicks up some dark dirt and dust, with a little help from his friend; a local axe, Alper Uzun.
Kemal Begtaş: 3 string cigar box guitar, bass, drum programming, sampling Alper Uzun: on lead guitar
All tracks are recorded, edited and mastered by Kemal Begtaş (2022 / Izmir, Turkey). Cover illustration assembled by Kemal Begtaş (2023 / Izmir, Turkey).
The music is released digital and available on all the download and streaming platforms.
As close buddies both born and raised in Izmir, Turkey and commissioned to compose numerous soundtracks for a massive radio drama project in 2007, Keskiner and Urgancıoğlu decided to take the next step to enhance and sustain their creative alliance, right after delivering the ordered bundle to test the limits of their sonic intersections.
Thus namely as Tabiat Brothers, both producers created a sonic mélange that display their warped ways of blending folk, blues, funk and tropicalia. Veterans of the Turkish indie scene are featured on various tracks namely as drummer – composer Orcun Basturk and drummer – composer Ozun Usta.
The music is released digital and available on all the download and streaming platforms.