A couple of months ago I told y’all about this EP that vintage bluesman Boo Boo Davis put out with ElectroBluesSociety sensibly titled Chicago Blues Covers. This makeshift trio (Davis, guitarist Jan Mittendorp and drummer Jasper Mortier) made a mess of covers of electric blues standards charged by the retro-modern studio finagling of the ElectroBluesSociety and the sheer aura of one Boo Boo Davis. And they laid down the tracks for these songs all in one afternoon in 2018. Now we learn that their label KuvVer Records has dropped another track from apparently that same session, Howlin’ Wolf’s “Killing Floor.” Boo Boo’s rendition carries the same machismo as Wolf’s but aside from that, it sounds almost like a wholly different song. If anything, the analog-y, reverb-drenched sonics of this two year-old recording sounds even more ancient than the fifty-six year-old original and Mortier keeps the song lively with a booming backbeat. Davis voice echoes from the bottom his soul but his blues harp shouts louder and authoritatively. Even if you’ve heard this song a thousand times before, your experience with it isn’t complete without hearing ElectroBluesSociety and Boo Boo Davis tackle it. They give old blues back its youthful vitality because they know how to make it brash and raw.
today we released a new single on KuvVer Records, one of our sub labels.
In 2018 ElectroBluesSociety did a recording session with Mississippi blues man Boo Boo Davis. During one of the European tours of Boo Boo they went in the studio and in 3 hours they recorded 8 songs. Together they went back to the classic Chicago blues and afterwards added a little electro blues. Here is another Howlin Wolf cover from that session. This track is released digital only and available on all the download and streaming platforms.
ElectroBluesSociety Featuring Michel Peters—Hoochie Coochie Man—
Here is another single track from this Dutch outfit, with a local singer turning in a version of the Muddy Waters classic. Some of these issues on Black & Tan subsidiary label KuvVer Records have kept reasonably close to the originals – this one doesn’t. The throbbing, up tempo backing is largely electronic, though with pounding drums and some excellent blues guitar, whilst Michel’s singing is fine. The whole thing does actually work well, so, if you have a youngster who feels that the blues is old hat, try to get them to give this a listen – you never know…
Today we released:
This is the second track from a recording session that ElectroBluesScoiety did with dutch singer Michel Peters; and again a fresh take on a classic Muddy Waters song.
The track is released digital only and available on all the download and streaming platforms
today we released:
This is the second single from a session that ElectroBluesSociety did in 2019 with Dutch singer Karin Roerdink; and again a cover version from a famous Amy Winehouse song
KuvVer Records is a sub label from Black and Tan Records that we we created to release refreshing cover versions of well known songs in any musical style.
This track is released digital only and available on all the download and streaming platforms.
Het lijkt een verloren zaak als je het uitgangspunt bekijkt: oude bluesrat neemt een reeks bluesklassiekers op met zijn Europese begeleidingsband. Je kan nauwelijks een geeuw onderdrukken. Toch zit er vuurwerk in één van de zeven tracks. Hoeveel keer kan je “Little Red Rooster” nog interpreteren en het interessant houden? Het nummer moet zowat het ingangsexamen zijn om jezelf een bluesband te mogen noemen. Maar als een 76-jarige ex-katoenplukker het nog eens overdoet, willen we wel een oogje dichtknijpen. Het begeleidende duo maakt er nog iets moois van. Ook met deze versies van “Evil” en “Tell Me” scoren ze geen homerun. Betere keuzes zijn dan “Dust My Broom”, “Smokestack Lightnin” en “How Many More Years”. In aanpak en uitvoering heel klassiek, maar degelijk en met veel overtuiging gebracht. En dan nog die ene waar vuurwerk in zit? Op “Back Door Man”, ook al zo’n classic die je al een paar keer teveel hebt gehoord, experimenteren de Nederlanders een eind weg met een soort van analoog-klinkende swampy loops die het nummer een vibe geven alsof er een geest meespeelt in de band. Er zijn nog tracks waarop ElectroBluesSociety speelt met loops, maar dan blijft het beperkt tot at je productionele ingrepen kan noemen. Op “Back Door Man” is het net heel uitgesproken, en het werkt absoluut heel goed. Deze aanpak had voor het volledige album mogen gebruikt worden.
Just yesterday KuvVer Records dropped a nifty little EP on us, one with the living blues icon Boo Davis performing some trusty blues covers. Chicago Blues Covers puts in a single release a collection of tunes all recorded one afternoon in 2018, and released as singles over the next year. This plainly titled EP delivers songs that in most bluesman’s hands might be a little tired and pedestrian, but this is Boo Boo Davis we’re talking about here, a character as colorful as Howlin’ Wolf which all comes out in his authentic delivery. Hell, almost as if to underscore his kinship with that original blues giant, most of these seven songs like “Little Red Rooster” were made famous by the former Chester Arthur Burnett. Davis is backed by the ElectroBluesSociety (or should I say, the ElectroBluesSociety is backed by Davis?), a tidy little unit made up of Jan Mittendorp on guitar and Jasper Mortier and drums and bass. With Boo Boo handling the singing and the blues harp, this music needs nothing else. You can hear Davis’ echoed and looped in the background but otherwise, this is pretty much like it would be heard in a nightclub. And maybe you heard these songs many times before, but not in the way Davis & Company plays/slays ‘em. “Evil” is set apart by stomp on the two and four and Davis’ singing the song like a man possessed. On “Smokestack Lightnin’,” Boo Boo howls and moans with the fervor of a man fifty years younger. Davis takes his time getting started on “Back Door Man” to allow Mittendorp to noodle around with some biting lines, as the track is drenched in electronically-induced some psychedelic haze. “How Many More Years” sounds deadlier with Davis’ harmonica altered to resemble an organ, and Mittendorp’s slide sets the vintage feeling for Elmore James’ “Dust My Broom.” The band shuffles through “Tell Me” as Davis squeals on that harmonica with mid-century authenticity. Then again, everything Boo Boo Davis plays is authentic. And with the sympathetic backing of ElectroBluesSociety, Chicago Blues Covers is faithful in fanning the blues flame in the way that only Davis can do it.
Today we released:
During one of the European tours of Boo Boo they went in the studio and in 3 hours they recorded 7 songs. Together they went back to the classic Chicago blues and afterwards added a little electro blues. These 7 tracks were released as singles during 2018 and 2019. On this new release we put them all together. You will find cover versions of several Chicago blues classics from Howlin’ Wolf and Elmore James.
The EP is released on KuvVer Records: a sub label that we created to release cover versions of well known songs. The release is digital-only and available on all the download and streaming platforms. Here are the links to a few popular ones:
Earlier this year the guys from ElectroBluesSociety did a recording session with dutch female singer; Karin Roerdink. Today we released the first track from that recording session on KuvVer Records.
KR 612 – ElectroBluesSociety feat Karin Roerdink – Back To Black
It is a cover version from an Amy Winehouse song and it is available on all download and streaming platforms. Here are a few links: