Smyrnian duo made of Kemal Begtaş and Sarp Keskiner present a fierce breakbeat boogie this time where they bring an “inter-desert” approach to their sonic alliance by presenting a spiraling theme featuring razor sharp riffs spiced with a vibrant Levantine touch.
Expected as usual, cowbells are rattling and bones are shaking on Leo Malandro’s rework of the track; where he takes a sample from an obscure composition of Sarp Keskiner, which he composed for a radio drama piece in 2000 that presents vicious cries of Korhan Futaci (Istanbul) on sax.
The music is released digital and available on all the download and streaming platforms
Jeff Shucard: “In the year 2000, I arrived in Istanbul with the intention of teaching English at a language school in the Kadıköy district. I was recovering from a life threatening illness that prevented me from touring with British band leader – legendary trombonist Chris Barber. Though I had a guitar with me, I knew absolutely nothing about the Istanbul music scene and due to my health issues, I was not interested in performing at all.
Then, one day in a local music store I met a university student who played electric guitar named Berk Sirman; who befriended me and took it upon himself to book me into a few clubs. One of those clubs was called Shaft and it was there that I met Sarp Keskiner, who enthusiastically welcomed me into the vibrant blues scene in which his band Moe Joe performed.
Sarp, as I discovered, was an avid student of blues history as well as a fine musician and producer. His ideas were far reaching and yet always in the pocket of the various genres of music he performed. Perhaps he alone in Turkey knew the music of Charley Patton, John Hurt and my favorite, Blind Blake. And so it happened that due to Sarp’s generosity of spirit and interest in acoustic country blues that we began working together.
Listening now to these tracks recorded 15 years ago, I’m taken by the raw energy we collectively produced. Back then, many clubs that we performed at with a busy schedule had little in the way of sound equipment. As I clearly remember, around the mid-2000’s there were even some nights where we spent more time doing the sound check than playing. Although draining, some of the accumulated energy of the band; the primitive but vital energy of the venues suited us fine as somehow we ended up sounding like early Chess recordings at the end of the day! Thus, I often felt as though we were musical astronauts playing a style of music no one Turkey had ever heard before.
Here, Sarp continues the narrative: “Once the Turkish core of SPL line-up was set; with the support of my never ending energy on finding a new venue to play our music and following an eclectic approach to build up circular line-ups as booking who is available to gig with the band from the local scene; Sweet Papa Lowdown succeeded
to tour in Turkey not for once but for three times as in 2000, 2004, 2006 while regularly holding gigs in the most respected clubs in Istanbul. Eylul (September) Music Club was one of the hot spots of the then lively blues scene, as all along the decade of 2000; each club in Istanbul had their own audience with specific musical tastes.”
“Going back to the subject of circular but irregular touring schedule of SPL, the band found many chances to visit cities namely as Izmir, Izmit, Adana, Mersin, Antakya, Ankara, Mugla and Antalya while the line-ups that are mostly comprised of multi-instrumentalist national blues celebrities were also and intentionally enhanced by addition of well-respected names from Canada / USA such as Doug Rhodes, Rick Van Krugel, Blaine Dunaway, Dan Smith, Dan Marcus and Kris Bowerman. Regarding a vast audio archive that feature those aforementioned names that brought their own stance of blues to the band, SPL found a chance to create a unique mélange of blues, ragtime and gospel music in a swinging period of six years while establishing a common ground that gave the opportunity of a mutual exchange between local and international blues experts.”
Thus, this audio-doc is launched as just starting point and I hope other live albums of SPL shall create a series. Looking back on it; those were good days… My respect for the music that is produced by various line-ups of the band in Istanbul continued to grow in the next decades and now, I feel grateful to have been a part of that scene. (Jeff Shucard, Figueira da Foz, Portugal, 2024)
Though enjoying a well-respected position in blues mythology; back porches are pack porches everywhere on earth at the end of the day, as those semi-public spaces always host the most sincere, intimate musical gatherings reflecting the essence of solidarity of local clusters whilst exposing many grass-roots hints on what was or is happening on the local scenes. Other than being assertive on the authenticity of locations in order to advocate the organic essence of the performances; “Turkish Back Porch Scene” series of Bone Union Records aim at presenting an never-unheard-before collection as featuring a modest sum of musical gatherings whilst promoting the most authentic blues performances recorded in Turkey up to this date.
Go grab a bottle of “arak” and a smoked drumstick to enjoy this grass-roots compilation. Further volumes are about to arrive.
The music is available on all download and streaming platforms.
more trax from miXendorp in his bluestronica series
The new EP contains three new instrumental trax and the music is best described an eclectic mix of blues, other musical styles and electronic manipulation.
Available from today on all download and streaming platforms
This brandnew new EP in the BLUESTRONICA series contains three new and instrumental trax. You will find an eclectic mix of blues, other musical styles and electronic manipulation.
The new EP is released digital and is availalbe on all download and streaming platforms
MoeJoe, now respectively known as “the ever first electric blues band in Turkey” was founded by Feramerz Ayadi, İzi Ergil and Vefa Karatay in 1994, in Istanbul. Instead of other contemporary blues rock bands which were keen to cover the scholastic repertoire of 60’s and 70’s alumnis, Moe Joe chose a different path to follow by putting an emphasize on covering the milestones of post-war Chicago blues repertoire thus, choosing to struggle hard on the club scene for finding a venue in late 90’s. Hence, in time, the venues hosting the performances of the band in various cities in Turkey became a shelter for local purist audiences.
In 1996, Sarp Keskiner (vocal, guitar, harmonica) and İlhan Babaoğlu (alto and soprano saxophone) joined the band; both were until then well – known members of phenomenal Istanbul Blues Company. Under guidance of Keskiner and Ayadi, Moe Joe centered upon Chicago Southside & Westside standards, spicy Detroit style boogies, early Texas shuffles and dark Louisiana grooves.
Between 1998 and 2001, the band set the heights for the musical quality of this genre on the national scene by adding harmonica virtuoso – flautist Tuğrul Aray to its line-up and back from NYC, enter Ergin Özler to take over the drum stool aiming at to bring the swinging authenticity to the sextet.
After releasing the “all originals” debut album, “Chicago Istanbul Mainline” in 2000, Moe Joe received rave reviews from national and international music media; having been interviewed and guested on various magazines, web sites, radio and TV channels.
From 2001 Caribbean, Brazilian and Afro – Cuban beats into their well-established sound, while stabilizing the line up as a quintet; with addition of Özün Usta (conga, djembe, cajon). Within this context, live recordings compiled in this album which were recorded in Istanbul, Ankara and Izmir direct to DAT tapes feature the diversity of a veteran Turkish blues band, which is set to celebrate its 30th anniversary of foundation in 2024.
The music is released digital and available on all the download and streaming platforms.
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