Négyszámos EP-vel jelentkezett miXendorp
Számosan akadtak olyanok, akik az új korok kihívásainak megfelelően megkísérlik megújítani a több mint százéves múltra visszatekintő blues műfajt. Közéjük tartozik a holland Jan Mittendorp is az egyszemélyes projektjével, a miXendorppal. A project indulása az elmúlt évtized elejére tehető, ekkor jelent meg az első lemeze, a Blues + Beat, amit Európa-szerte fellépések követtek. Mittendorp néhány hónapja új dalokat kezdett írni. Ezek a blues, jazz, world music, funk, techno és mindenféle más zenének az eredeti és eklektikus keverékét képezik. Az új nótákat tartalmazó négyszámos EP Xperimental Trance Electro Blues címmel novemberben digitális formában látott napvilágot. miXendorp nem áll le, jövő év elejére további felvételeket ígér.
His vocals are smooth and silky while his accompaniment is simple and pure. This album is a treasure trove, with eight new songs, three acoustic demos and two remastered songs from his vast catalog. Regardless of whether the track is full band or acoustic demo, it is Philips’ voice that shines through. This album provides the perfect soundtrack for your down time, and will provide you with a plethora of repeat-worthy song. The smooth jazz and bluesy feel of “Another Day,” “My Gravity,” and “Nowhere” and the amazing instrumental “Red on Yellow” alone are worth the price of the CD.
As singer-songwriters go, the thing that makes David Philips stand out whether he’s making an acoustic-based bare-bones record or a more fully produced affair is that he’s got a lot of soul. It’s there in his voice and present in his melodies. Just as 2017’s Winter titled toward his rock side, Get Along, his latest from Black And Tan Records, makes that soul more overt. Philips has never been afraid to put out his rougher recordings, he embraces it and it’s really to our benefit because there’s nothing to hide and nothing critical is missing from the demos. This time — and he’s done this with a song actually called “This Time” — he’s putting his rough-hewn product side-by-side with his (relatively) polished handiwork, which in either case all the chores are handled by him, and it’s hard to tell which version is better. The demo version of “My Gravity” is full of funky spirit with Philips accompanied himself only with an acoustic guitar. That was placed immediately following the fully developed version of the same song, which has its own charms but the raw version remains just as satisfying. The blues “Nowhere” (video below) is also paired with its demo version but it’s the stripped down take that’s more energetic and played in a higher key, altered to the point that you could be forgiven for thinking it’s an entirely different song. Philips uncorks some nasty blues harp in the middle of it, too; there might not be much musically he can’t do like a boss. Folk-soul, head-nodding, finger tapping rhythm and blues in an down-home wrapper is what make full band tracks such as “Another Day,” “Trim” and remakes of his own tunes “Mountain To Climb” and “When I’m Drunk” so irresistible. As a bonus, Philips’ jazz background makes a rare overt appearance on the instrumental fusion-ish number “Red On Yellow.” One thing that isn’t rare at all about a Philips record is that it’s all done by himself, from the composing to the playing and singing, to the production, engineering and mastering. But DIY isn’t for everybody, only for those who can do it all and do it all right. Philips is clearly that guy, and now we know that even when he does something by himself two different ways, both ways are the ‘right’ way. Get Along is available now digitally and available in CD form in September 2018 for those who also want more of Philips’ avian art to enjoy.
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