B&T 967 – Rosie- ElectroBluesSociety feat Jan Hidding
In December 2017 Cuban Heels singer Jan Hidding did a recording session with ElectroBluesSociety and here is the first track from that session. A brand new version from one of the famous Lomax recordings.
We released the track digital only and it is available on all the download and streaming platforms. Here are the links to a few popular ones.
ElectroBluesSociety are a Dutch-based “Organic Dance music” duo mixing electronics with raw, vintage live Blues-based sounds; self-described as “two guys and a bunch of junk with a broad taste and an open mind. Together, they are mixing modern technologies with 30+ years of live stage experience.” ElectroBluesSociety (EBS) consists of drummer and bassist Jasper Mortier and guitarist and Black & Tan Records owner Jan Mittendorp. Mortier has worked with the likes of Paul Oscher, Preston Shannon, “Sax” Gordon Beadle, Philip Walker, and Boo Boo Davis, while Mittendorp has toured extensively across Europe & The US with artists such as Percy Strother, Smokey Wilson, Boo Boo Davis, Erskine Oglesby, and Roscoe Chenier. Jan Mittendorp personally, worked with American R&B singer and guitarist Roscoe Chenier for nearly 20 years and released two of his critically-acclaimed albums—Roscoe Style (1998) and Waiting for My Tomorrow (2006)—on Black & Tan Records. Chenier’s rendition of traditional Gospel hymn, “Will The Circle Be Unbroken” was originally released on Waiting for My Tomorrow in sparse, stripped-down acapella form. Now, nearly 12 years after its initial release, Black & Tan Records have properly re-released “Will The Circle Be Unbroken” with a newly-orchestrated backing track arranged by EBS to accompany Roscoe Chenier, who, unfortunately, passed away in 2013. Jan Mittendorp said, in an exclusive statement sent to The Witzard, “Jasper and I and both terrible singers (to put it mildly) but [on the other hand], we love Blues and Roots music, mainly because of the vocals.” Mittendorp enthusiastically continued: “so, instead of doing some bad singing ourselves, we prefer to use something good that is already existing. We have some more projects coming up, where we use new vocal recordings of guest singers that we invited for a recording sessions.” ElectroBluesSociety’s “Will The Circle Be Unbroken” personally, reminds me of Jamie xx’s 2011 full-album remix of Gil Scott-Heron’s 2010 return-to-form I’m New Here, fittingly re-titled We’re New Here. “Will The Circle Be Unbroken” has been released as a digital-only single on Black & Tan Records, now available on Apple Music, Deezer, Soundcloud, Spotify, and similar like-minded digital retailers.
Today we release a new single
B&T 966 – Will The Circle be Unbroken – ElectroBluesSociety feat Roscoe Chenier
The original acapella recording of this old gospel tune was done by Roscoe Chenier and released by us in 2006. On this brand new release ElectroBluesSociety adds a musical background to Roscoe’s voice. We had the luck to work with Roscoe on several releases and tours in Europe from 1993 on and he was one of the nicest guys to work with. Unfortunately Roscoe died (far too soon) in February 2013.
This new track is released digital only and available on all the download and streaming platforms. Here are the links to a few popular ones.
today we released this new single
B&T 965 – Harrison Kennedy & miXendorp – Bob Lo Island (remix)
Best known as the lead vocalist of the Chairmen of the Board Harrison Kennedy was born and raised in Hamilton, Ontario, before moving to Detroit to join up with this group that was started as part of the new Holland-Dozier-Holland label Invictus / Hot Wax. In the mid-’70s, Kennedy left the group and struck out on a solo career. Over the years he has been able to pull from styles as varied as funk, soul, R&B, folk, rock, and gospel. In 2008, Kennedy was nominated for Best Blues Recording in Canada’s Juno Awards. Here is a new miXendorp remix of one of his songs. The original recording of this song was only voice and percussion and it was released by Harrison on Black and Tan Records in 2005.
The track is released digital only and available on all the download and streaming platforms. Here are the links to a few popular ones:
yesterday we released a new single on Black and Tan Records :
B&T 963 – Instinctively Wrong (remix) – Jimmy Reiter & miXendorp
Jimmy Reiter is a guitarist, singer and convincing songwriter, firmly rooted in the tradition of Blues and R&B. For over 10 years Jimmy was lead guitarist with US Blues singer/harmonica player Doug Jay as well as supporting player for numerous international Blues artists on their European tours, such as Larry Garner, Big Daddy Wilson, Albie Donnelly and Memo Gonzalez. In 2011 Jimmy started working under his won name and so far he released two albums. Last month Jimmy and his band received the German Blues Award for Best Band of 2017.
The new release is a miXendorp remix of one of the songs from Jimmy’s latest release. The music is released digital only and available on all the download and streaming platforms. Here are the links to a few popular ones:
Here is what TUNED UP wrote about the new single of ElectroBluesSociety feat Kim Snelten (and we take the aging hippies as a compliment 🙂 ) :
If you’re in the mood for something easy listening but not sleep-inducing, this song hits the spot. I’m not particularly into jam bands but for some reason I got lucky this afternoon when clicking through promo emails. This was the first song in a unread Tuned Up email that popped up, and it’s suiting my Saturday afternoon summer coffee shop mood perfectly. I think this band should play Columbus’ ComFest in the future. All the aging hippies and young guns will love it.
Today we released this new single:
B&T 964 – ElectroBluesSociety feat Kim Snelten – Duck (harmonica)
A few weeks ago ElectroBluesSociety did a very enjoyable jam/recording session with Kim Snelten: a famous Dutch harmonica player, and this is the first track from that session.
The single is available on all the digital download and streaming platforms and here the links to a few popular ones.
When surveying his history and discography it’s quite clear that David Philips is diversely talented enough to make whatever the hell kind of music he wants to make without any outside help, and make it well. So when this British expat who now call Barcelona, Spain his home locked himself up in a studio last winter to make a more-or-less straightforward rock album, it was going to be interesting to see if this singer-songwriter mostly known for stripped down folk hymns could maintain that notion. Winter, now out from Black and Tan Records, does. It’s a fully produced album, but perhaps ‘fully produced’ only by the standards of roots rock. Philips plays all the instruments, as he always does, but there’s more to play: guitars, bass, drums, lead and background vocals. He puts it all together in a mix that resembles a real band, and wrote eight new tunes that have hooks and riffs, leaving just enough space to let his lead guitarist side flourish. The furry analog blare of “Changes” is immediately inviting to ears attuned to seventies classic rock and the grit quickly dismisses any idea that Philips would go commercial. The soul-infused blues-rock “Mary” is a dead ringer for a Doyle Bramhall II cut, and an occasion for Philips to show what he’s got in the hot licks department. He takes a three-chord riff far on “Rich Man” and goes rural with harmonica and acoustic guitar on the eminently catchy “Home.” And then he shows off Hendrix chops with a dash of Bad Company and Stevie Ray Vaughan thrown in on “The One” (video above) as well as on “Running,” while “Your Way” downshifts to a lilting ballad tempo. The album closer “That’s Alright” seems bound to be all about a heavy guitar riff before unexpectedly encountering a soulful psychedelic interlude laced with ace blues chops. Clocking in at a lean half an hour, Winter concludes maybe a little sooner than we’d like, but that running time was par for course in the vinyl age, and it’s much better to have that old feeling even if it means revisiting one of its small limitations. At least I didn’t have to get up to flip the record over in the middle of it. David Philips has again made music without making any concessions.
If You Ain’t Never Had The Blues by Boo Boo Davis / BLu ACiD (2014) was used in THE RECALL, a Canadian movie produced by Minds Eye Entertainment in association with Bridgegate Pictures.
The Recall is a SciFi thriller about five friends on vacation at a remote lake house where they expect nothing less than a good time, unaware that planet Earth is under an alien invasion and mass-abduction.
The film was released on June 2 this year and they used more then two minutes of the song right at the beginning in one of the opening scenes of the movie.
Here is a Spotify playlist containing tracks from the Black and Tan catalogue that have been used for sync placements worldwide.
The music was used in films (a.o. Refugio), commercials (a.o. 5-Hour-Energy-Drink, Flipboard) and lots of tv programs (Sons Of Anarchy, Suits, American Idol, Fox Sports, NCIS, Banshee, Graceland, Scorpion, Wentworth, Lilyhammer, Ice, The Leftovers, Celblok H, Six and many others).