It is very hard for me to explain what I do during my live sets. I use my computer as a second instrument and it gives me access to my complete record collection and I can use, mix and manipulate everything that is on the hard disk with my guitar and also add images. As you can clearly see it is a Work-In-Progress; trying to create a new musical language by using all technical possibillities that I can lay my hand on. Here is a short video impression of miXendorp live at Roepaen Blues Festival in April this year. It will help to visualize a little of what I am doing during a live set.
Material is shot and edited by Erik Spikmans of VormEnVast.
The alchemists arrived with the slang of rap, the nectar of folk music, the rhythm of bigbeat and they mixed these ingredients in the smoky pot of blues and accidentally fell into it a bit of magic mushroom, too! They introduced their audience to the black-rooted blues music and showed the path to the younger generation who is following their steps now.
The band creates a mixture from the old band’s experiences and from a new, unique, fresh sound – the visual background is strengthening the overall effect! The electronic music background is to be provided by Szabi Máté (Secta Chameleon) and Dure (effects, electronic drum).
Recently we celebrated the 100th birthday of the father of blues and respected renewal of the genre: Robert Johnson. The Mississippi Big Beat continues to modernize the genre, the blues basics are boosted up with electronic loops and effects and they take the ‘20s music into the 2011’s sound! The show builds up from the songs of the ’20s and ’30s and we are arriving to the big beat sound finally. The Hungarian apostles of the Blues Beat are now launched to the international seas of Nu Blues.
A unique line-up performing original songs. Raw and simple with a deep love for American Roots Music. These musicians have broad taste and an open mind, so a lot of musical influences come through.
grew up in Dallas, Texas. As a little girl, Dede would sing along to whatever she could find, but it was the rawness of Blues and Gospel that shaped her talent the most. Classically trained on the violin, it was always clear that her voice was her first instrument. Moving to Austin, Texas, she earned a degree in Philosophy, then followed her heart and let the music lead. In Austin, Dede began singing professionally and has shared the stage with Clarence Gatemouth Brown, Leon Russell, Tommy Shannon, and Harry Belafonte. Performing in the USA and all over Europe, Dede Priest continues to forge ahead with successful shows
mainly known as a bass player, Jasper has found a new passion: playing drums! Over the last ten years, Jasper has toured extensively in the whole of Europe. He has worked with numerous great artists like Preston Shannon, ‘Sax’ Gordon Beadle, Monti Amundson, Philip Walker, Candye Kane, Sherman Robertson, Terry Evans, Long John Hunter, Eddy Clearwater, Paul Oscher, Doug Jay, Boo Boo Davis, Byther Smith, Boyd Small, and many others. Right now, he is the regular bass player the Jimmy Reiter band.
Jan has toured Europe as a guitar player with USA artists like: Smokey Wilson, Byther Smith, Burton Gaar, Roy Roberts, Larry Garner, Boo Boo Davis, Erskine Oglesby, Jody Williams, Roscoe Chenier, Clara McDaniel, Boyd Small, Billy Jones, Hosea Leavy, Percy Strother, Harrison Kennedy, and many others. With Boo Boo Davis, he has performed on all major European festivals like North Sea Jazz, Jazz a Juan, Montreux Jazz Festival, and Peer Bluesfestival.
Vocalist/harmonicaplayer Big George Jackson was born November 16, 1949 and in the Twin Cities he is known as the Authentic big man of the blues. He sings with a distinctive bass-rich voice only a six-foot, six inch gentle giant could be blessed with. Add his fat harmonica playing, dead-on phrasing, commanding stage-presence and instant audience rapport and it’s easy to understand why the audience howl when he delivers his music.
The band features two great guitarists: Jeremy Johnson (formely with Mischo) and Phil Schmid (formely with Lynwood Slim) combine tough-as-nails interplay that can alternate between being greasy, swinging and raunchy The band writes its own music, with lyrics written by Big George and they also cover songs by Jimmy Reed, Walter Hornton, Muddy Waters and Big Leon Brooks. In 1998 the band released a CD Beggin Ain’t for Me on Black and Tan Records and in 2001 their second Black and Tan CD. The CD is titled Big Shot. Critics praised Big George’s CD for originality and welcome sense of humor. The Big George Jackson Band is considered to be a great up and coming band and is developing a fast growing following in spite of the incredibly competitive live music scene.
Big George has been working for Minnesgasco, the local gas company in Minneapolis. He has raised six children while pursuing his night-time career as a blues musician. His first european tour took place in November >99 and it was a huge success. Most of the venues had a large crowd and at the bluesfestivals in Luzern (Switzerland) and Unna (Germany) Big George proved to be one of the surprises of the event. During their european tour in April/May 2000 the band performed at he Moulin Blues Festival in Ospel (NL) and at the bluesfestivals of Silkeborg and Odense (DK). The band did two more succesfull european tours in March and November 2001. On the last tour they performed on the Lucerne Blues Festival (CH) and on the Blues Estafette (NL), two of the major blues events in Europe. They also did a live show on national Dutch tv.
In 2002 they performed at the Belgian Rhythm & Blues Festival in Peer (Belgium) and the Colne Bluesfestival in the UK and in 2003 they played at the International Jazzfestival in Montreal (Canada) and Nancy Jazz Pulsations (France). In October 2003 they released their third CD (Southern In My Soul) for Black and Tan Records.
Boo Boo Davis is a survivor and belongs to the last generations of musicians that write and play the blues based on first hand experience of a hard life in the Mississippi Delta. He was born and raised in Drew, Mississippi in the heart of Delta. It was the richest cotton land in the South and the large amounts of field workers attracted the best musicians from the surrounding areas. The entire Delta region was rich with blues, but the town of Drew was a particularly fertile one. Charley Patton stayed near Drew for many years and several legendary performers spent time there. Sharecroppers sang loudly to help pass the grueling hours of work and without a doubt Boo Boo developed his loud, bellowing voice based on the singing he heard in the fields as a young boy. In fact, that voice, through the years has demolished many amps and speaker cabinets.
Boo Boo’s father, Sylvester Davis farmed cotton and played several instruments. Musicians who he played with include John Lee Hooker, Elmore James and Robert Pete Williams. Boo Boo remembers these and other musicians dropping by and rehearsing at their house. At the age of five Boo Boo was playing the harmonica and singing in church with his mother. By thirteen he was playing guitar, and by eighteen he was playing out with his father and older brothers under the name of The Lard Can Band. This band travelled all throughout the Delta. In the early sixties he went north to St Louis and was around during the heyday of the St Louis music scene (Albert King, Ike Turner, Chuck Berry and many others). Together with his brothers they were the weekend house band in Tabby’s Red Room in East St Louis for eighteen years.
Even though Boo Boo moved north to St. Louis, he will always be a southerner at heart. When he is at home (and not performing) his favorite pastimes are hunting with his dogs and fishing. During Boo Boo’s childhood there was no time or money for him to go to school so he never learned to read and write. However that did not prevent him to travel all over the world. Following his guiding spirit (that he calls Dave) Boo Boo has found a way to deal with modern society. The blues helps him to keep his spirit high and survive day-to-day life. It deals with all the basic raw elements of life; good and bad, plain and simple.
His first European tour took place in April 2000 and since then Boo Boo is touring Europe at least twice a year. So far Boo Boo has released 5 CD’s on Black and Tan Records and all of them were very well received. Number 4 (DREW, MISSISSIPPI) was listed with the 10 best blues records of 2006 by MOJO Magazine (UK). In 2007 Boo Boo was invited to perform on the POCONO BLUES FESTIVAL, one of the biggest blues festivals in the USA and in March 2007 Boo Boo performed live on CBC Radio One, national radio in Canada.
What started as a crazy idea after the European tour of Boo Boo in October 2007 has turned out to be not too crazy at all. On the Spring Tour of 2008 they decided to leave out the bass and tour as a trio: Boo Boo Davis on vocals & harmonica, John Gerritse on drums and Jan Mittendorp on guitar. This trio has been touring Europe extensively; the last few years they did over 400 shows in more then twenty different countries including a lot of the big European blues & jazz festivals (North Sea Jazz, Montreux, Peer, Juan les Pins, Rother BluesTage, Amal, Olstzyn).
Boo Boo’s music has been featured on Fox Sports and several US tv series like Sons of Anarchy, Suits and Banshee.
Mischa den Haring and Jan Mittendorp; two Dutch musicians/producers joined forces in this new production unit. Both of them have more then 25 years of live stage experience and they combine that with 2014 recording and production techniques. Like moonshine, the music was slow brewed in seclusion during all-night-and-day marathons attended only by the two members and the ghosts of the past, who were eager to have their voices echo into the modern world.
In February 2014 they released their first tracks on Black and Tan Records and April 2014 their first album production: a new BOO BOO DAVIS release (What Kind Of Shit Is This?) After this succesful project they did several other projects and these tracks will be released individually on BLu ACiD Records, a subsidiary label of Black and Tan.
Preserving the power and originality of american roots music but at the same time not excluding influences from any other musical styles nor any technology that is available today.