Jimmy Reiter is a guitarist, singer and convincing songwriter, firmly rooted in the tradition of Blues and R&B. For over 10 years Jimmy was lead guitarist with US Blues singer/harmonica player Doug Jay as well as supporting player for numerous international Blues artists on their European tours, such as Larry Garner, Big Daddy Wilson, Albie Donnelly and Memo Gonzalez. In 2011 Jimmy started working under his won name and so far he released two albums. Last month Jimmy and his band received the German Blues Award for Best Band of 2017.
The new release is a miXendorp remix of one of the songs from Jimmy’s latest release. The music is released digital only and available on all the download and streaming platforms. Here are the links to a few popular ones:
Here is what TUNED UP wrote about the new single of ElectroBluesSociety feat Kim Snelten (and we take the aging hippies as a compliment 🙂 ) :
If you’re in the mood for something easy listening but not sleep-inducing, this song hits the spot. I’m not particularly into jam bands but for some reason I got lucky this afternoon when clicking through promo emails. This was the first song in a unread Tuned Up email that popped up, and it’s suiting my Saturday afternoon summer coffee shop mood perfectly. I think this band should play Columbus’ ComFest in the future. All the aging hippies and young guns will love it.
Here is a new video from ElectroBluesSociety recorded live May 2017 in our rehearsel room in Vorden (Netherlands). For this track we are using vocal parts from Electric Chair Blues by Guitar Welch. For handling the camera’s we had assistance from Peter Tump.
This is a compilation of six tracks released as singles in 2015 and 2016 by this Dutch duo of vastly experienced guitarist Mischa Den Haring and Black & Tan Records owner/ producer Jan Mittendorp, who decided to carry on working together as BLu ACiD after success with St Louis bluesman Boo Boo Davis. This release is undeniably cutting edge contemporary blues, with a huge sound (listen to grooving ‘Stuck Anyway’ with a monster slide guitar riff), classic soul influences, as the Otis Redding inflected vocal on ‘Silence’ confirms, and the rave styled ‘Things Will Change’. That last title is rather apt for this set – this is the blues for a generation raised on electronic dance music, hip hop, and remix culture. As such, it might not attract much of the traditional blues audience, but my kids actually stopped and listened – and they don’t do that if I play Muddy, BB or Elmore!
Non, le blues n’est pas mort, car il bande encore ! Qu’on pardonne cette grivoiserie qui n’a d’autre but que de traduire un enthousiasme sincère pour une musique aux pieds solidement ancrés dans le delta du Mississippi, la tête dans le Cloud. Renaud Villet est informaticien à l’Université Clermont-Auvergne, mais c’est bien le virus du blues qu’il a contracté. À l’instar d’un Muddy Waters du XXIe siècle, armé d’une guitare et du logiciel Ableton Live, il écrit en anglais, compose, interprète et produit seul des chansons d’une authenticité folle. On est frappé d’entrée par les couleurs chaudes des guitares électriques, allant du Chicago blues au rock sans qu’on n’ait jamais l’impression d’un ersatz ni d’une redite. Puis vient la voix, traitée à l’ancienne avec l’écho en slapback, qui ajoute à la pertinence du son. Enfin, la boîte à rythmes, quelques scratchs et synthés çà et là qui donnent à l’ensemble une touche hip-hop électro subtile mais efficace. En 1974, Coluche faisait rire en accolant dans une chanson «blues» et «Clermont-Ferrand», Rivherside change la donne. Du grand art.
That moment when handmade music makes you groove on the spot, then all of a sudden makes you feel like dancing. The not-so-new track of Mischa den Haring and Jan Mittendorp, better known as BLu ACiD, gets right into your bloodstream. The two dutch musicians released an album called “HCN” recently which features many of their released singles from 2015 and 2016. Although one of the keyphrases I used for this review is “New tracks”, the track “Money” from BLu ACiD is in fact over a year old, but since I discovered it just today, I thought for all of you reading this the sound IS new.Being a drummer in a krautrock band, I just have a thing for handmade music. Using electronic elements in tracks creates that signature sound which stucks to your head instantly, and that’s one of the things the guys of BLu ACiD do all day long. While “Money” as an example hasn’t that much electro elements in it, it still has that distinctive groovy style coming along with the sound. The electro elements in the other tracks on their album is just the icing on the cake, so to speak. “Money” showcases that the two musicians are able to transmit a certain feel with their music. You just can hear that they are living what they are doing there. Groovy slightly distorted guitar tracks combined with deep bass lines and that unique vocals keep you caught in the music for those four and a half minutes. The track itself is mixed a bit too flat for my taste, but this could be a wanted effect, serving the retro feel of the track. There’s that “fattening” missing where other producers tend to double or triple tracks. Still, I’m not sure if keeping the track slim was intentional or not. Besides this, everything is placed where it should be. The voice isn’t too centered to give room for the guitar and backing vocal tracks. And most importantly: the feeling is real – you can’t mix that in. Most of what BLu ACiD is giving me, I’m feeling it. Whether it makes you move, sing along or thinking “how the hell did they DO that?”, it works to keep you entertained, interested and listening. I strongly recommend listening to the whole album, musicians might learn a thing or two from den Haring and Mittendorp, and the avid listener will just groove along.
This is the first ‘official’ release from this new duo. Modern technologies and 30+ years of live stage experience using computers, a double bass, guitars, foot pedals, vintage amps, midi controllers, an old drumkit and lots of cables. At their website you can find more information, video’s and more music.
The single is released digital only and here are the links to a few popular platforms